Okay my opinion on this song. It's not great but it's not terrible. It sounds better then most the crap on the last cd and I enjoy that Matt sounds like he is pushing his voice a little bit more to the agressive side which is a good thing for an old fan like me. I could really do without the echo thing towards the end as well. I really enjoyed the drumming.
You tryin to be a hero fool? You wanna see badass mother fucker?! I'll show ya a badass!!!
i love avenged sevenfold and can't wait for the new cd. i used to hate them in high school because they weren't "heavy enough" for me but as I got older i got into them and appreciate their style much more.
The new single Nightmare has got me very interested to hear the rest of the album. At points of the song I feel the older A7X sound, but it still has the new A7X sound in it at other points. Overall though I think this song is great.
In another interview, this time with The Pulse of Radio, M. Shadows said that not only did Portnoy replicate the drum patterns Sullivan had already written for the record, but Sullivan himself makes an appearance as well: "[...] Jimmy actually left a couple of vocals on the record. They're kind of like a goodbye. It just happens that he sang them in key, he sang the words very clearly, and there was no bleed in the mics or anything; And so, we used them on the record. Jimmy actually sings on the record. All of his drum fills are intact; It feels like Jimmy playing, like our last record with him".[3]
Comments
his drumming sounds like faster
the rev sounded like out of time, i cant really explain
THE PRICE OF EVILLLLL.
AND IT HURTS TO KNOW THAT YOU BELONG HEREEEEE. YEAAAAAA.
OOOOOOOOOOOOOOHHHHHHHH.
IT'S YOUR FUCKING NIGHTMARE.
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Overall though I think this song is great.
Also...I dont hear any older stuff you speak off. The guitar squealing has been on everything since City of Evil..thats about it.
In another interview, this time with The Pulse of Radio, M. Shadows said that not only did Portnoy replicate the drum patterns Sullivan had already written for the record, but Sullivan himself makes an appearance as well: "[...] Jimmy actually left a couple of vocals on the record. They're kind of like a goodbye. It just happens that he sang them in key, he sang the words very clearly, and there was no bleed in the mics or anything; And so, we used them on the record. Jimmy actually sings on the record. All of his drum fills are intact; It feels like Jimmy playing, like our last record with him".[3]
RIP